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Grace jones i need a man remix

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SEE VIDEO BY TOPIC: Grace Jones - I Need a Man (Extended Version)

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SEE VIDEO BY TOPIC: Grace Jones - I Need A Man - DJ-Q

Grace Jones

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Play All. Sort Artist. Items 1 to 30 of 30 on page 1 of 1. Recorded at Compass Point studios in Nassau with the help of Sly and Robbie, it saw the New York icon embracing her Jamaican roots, delivering near horizontal Balearic pop shot through with dub rhythms and occasional blasts of dubwise disco "Pull Up To The Bumper".

This deluxe reissue presents the original album in remastered form, alongside a second disc featuring essential alternative versions. If this isn't in your collection already, it should be. Wall Of Sound. The album Hurricane - her first since - was rapturously received and here we see a remix package of one of the album's standouts, "Love You to Life".

The track gets the South London treatment with a remix from Digital Mystikz, whose first release for two years is typically brilliant, atmospheric, skanking steppa. Southern Fried favourite Cadgedbaby joins Guy Williams for a disco remix under their Paradise 45 alias, while Ivor Guest turns in a dub version and Pitron and Sanna rounds things off nicely.

Manhattan US. Pull Up To The Bumper 7". Collectables US. I Need A Man 7". Nipple To The Bottle 12". Gigolo Germany. The Best Of House Party US. I Need A Man heavyweight vinyl 12". It's and Grace Jones's inimitable character is defined by her role as a fashion model. She dips her toe in the musical waters she'd later boil with her uncompromised attitude and raw funk and records this for French label Orfeus. The a-side is a slapping soul gem that's almost northern in its energy, the b-side is a dreamy folk sojourn with upbeat pianos and a fair share of French.

A historic moment for Jones that became instantly overshadowed by her endless creative repertoire, this special Record Store Day re-run is a fascinating piece of musical history. Private Life Record Store Day 12". Under the supervision of legendary dub players Sly Dunbar and Robbie Shakespeare, and with Wally Badarou lending a hand on keyboards, the iconic model-turned-singer recorded Warm Leatherette, an album of reggae and synth-pop-infused cover versions.

This deluxe, re-mastered 4LP reissue features the original full-length on two LPS, plus two further slabs containing 12" versions and alternate reworks of classics such as "Love Is The Drug" and "Private Life". It's perhaps this, more than the hit-and-miss original album, which makes this version of Warm Leatheratte so desirable. Williams' Blood 12". Klein , Valique , Autoreply Music. Rare 12" Mixes 2xLP. Pull Up To The Bumper 12".

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In Conversation with Disco Don Tom Moulton

Anyone who thinks Grace Jones' singing career began with Warm Leatherette can think again. The last two faltered commercially, partly because of an oversaturated market and the rise of the "Disco Sucks" backlash of the late 70s, though all have now been lovingly-restored at Abbey Road Studios in the form of the Disco Years boxset. Critical re-evaluation and an outpouring of love are all but guaranteed. And while Grace Jones has subsequently become a household name, her lesser-known producer has had a hand in shaping dance and music culture as we know it, earning the sobriquet "the undisputed king of the disco mix" along the way. His story is endlessly fascinating, and it could be argued that Moulton has had a greater influence on the way we listen to music than Larry Levan, Patrick Cowley, and even hip hop progenitor Kool Herc ergo, he's had more influence than almost anyone.

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Three distinct phases mark the career of this most singular of artists — disco, reggae and dub excursions followed by all-out commercial pop. Her solo album Portfolio is the first in a disco trilogy of long-players made with producer Tom Moulton. Her debut single I Need A Man was originally released by small French label Orfeus in , while Jones was still working as a fashion model. It made little impact on the charts until it was remixed and released via the Beam Junction label, when it made it to No. Over the course of her career, Jones became expert in deconstructing songs and interpreting them in radical new ways, but these first recordings are played totally straight.

Grace Jones Song Lyrics

Portfolio is the debut studio album by Grace Jones , released in by Island Records. It spawned her first big hit, " La Vie en rose ". Having enjoyed a successful modelling career in Paris and New York in the early s, Jones released a series of singles throughout — None of them, however, managed to succeed in mainstream charts. Jones secured a record deal with Island Records in and found wider recognition only with her debut Island album, Portfolio. The album was recorded and mixed in Sigma Sound Studios in Philadelphia , and released in autumn as the first of three albums made with the legendary disco record producer Tom Moulton. The Italian release would omit "Sorry" and "That's the Trouble", adding an extended, over 7-minute-long version of " I Need a Man " instead.

Grace Jones

Disco started to go mutant before the backlash of compelled its producers to quit their exploration of punk, new wave, funk and dub combinations. Yet these releases stand out as early studies in disco juxtaposition thanks to the way her stiff, gravelly voice combines so uneasily with the standardized disco-backing track. DJs and dancers could start to freak out in a different way. By loading the video, you agree to YouTube's privacy policy.

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GRACE JONES

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Album by Album: Grace Jones

Беккер прижал дуло к виску убийцы и осторожно наклонился. Одно движение, и он выстрелит. Но стрелять не понадобилось. Халохот был мертв. Беккер отшвырнул пистолет и без сил опустился на ступеньку. Впервые за целую вечность он почувствовал, что глаза его застилают слезы, и зажмурился, прогоняя влажную пелену.

Apr 29, - Anyone who thinks Grace Jones' singing career began with Warm Leatherette "I Need A Man" — her first single — arrived in '75, and then came three '77 and '79 with legendary remix maestro Tom Moulton as producer.

- Он положил руку ей на плечо.  - Я никогда не послал бы туда Дэвида, если бы считал, что это связано хоть с малейшей опасностью.  - Он улыбнулся.  - Поверь. При первых же признаках опасности я отправлю к нему профессионалов.

I Need A Man

Стратмор сурово посмотрел на. - Этот алгоритм создал один самых блестящих умов в криптографии. Сьюзан пришла в еще большее смятение: самые блестящие умы в криптографии работают в ее отделе, и уж она-то наверняка хоть что-нибудь услышала бы об этом алгоритме. - Кто? - требовательно сказала .

ГЛАВА 17 Дэвид Беккер ступил на раскаленные плиты площади Испании. Прямо перед ним над деревьями возвышалось Аюнтамьенто - старинное здание ратуши, которое окружали три акра бело-голубой мозаики азульехо. Его арабские шпили и резной фасад создавали впечатление скорее дворца - как и было задумано, - чем общественного учреждения. За свою долгую историю оно стало свидетелем переворотов, пожаров и публичных казней, однако большинство туристов приходили сюда по совершенно иной причине: туристические проспекты рекламировали его как английский военный штаб в фильме Лоуренс Аравийский.

А что это за звездочка? - спросила Сьюзан.  - После цифр стоит какая-то звездочка.

Сирены продолжали завывать; то и дело вспыхивали сигнальные огни. Тремя этажами ниже дрожали и гудели резервные генераторы.

Сьюзан знала, что где-то на дне этого погруженного в туман подземелья есть рубильник. Кроме того, она понимала, что времени почти не оставалось. Стратмор сидел наверху с береттой в руке.

Конечно же, это убийца! - закричал Бринкерхофф.  - Что еще это может. Иначе Танкадо не отдал бы ключ. Какой идиот станет делать на кольце надпись из произвольных букв. Фонтейн свирепым взглядом заставил его замолчать. - Вы меня слышите? - вмешался Беккер, чувствуя себя неловко.

Он отличался громким голосом и безвкусно-крикливой манерой одеваться. Коллеги-криптографы прозвали его Галит - таково научное название каменной соли. Хейл же был уверен, что галит - некий драгоценный камень, поэтому считал, что это прозвище вполне соответствует его выдающимся умственным способностям и прекрасному телосложению. Будь он менее самонадеян, он, конечно же, заглянул бы в энциклопедию и обнаружил, что это не что иное, как солевой осадок, оставшийся после высыхания древних морей.

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